“Addy in My Mind” now available at anthologybuilder.com.

Foster’s characters are three-dimensional and sympathetic, and her writing lacks no polish
—Douglas Hoffman, The Fix

Received an honorable mention in The Year’s Best Science Fiction: Twenty-Fifth Annual Collection, edited by Gardner Dozois.

an entertaining story with observations on life and death
—Shaun C. Green, The Fix

From the first issue my favorite was Eugie Foster’s “Close to Death”, a lighthearted piece about a literal encounter with Death on an Atlanta freeway.
—Rich Horton

“The Few, the Proud, the Leech Corps” now available at anthologybuilder.com.

“The Few, the Proud, the Leech Corps” mixes elements from different genres, and while technology and urban guerrilla tactics certainly play a role in the action parts of this graphic story, it is the immortal fascination with vampires and the attractive, sensual imagery associated with them that captivates . . . reminiscent of one of David Cronenberg’s nightmarish scenes.
—Yael Artom, Tangent

• Part I: The Horned Rabbit - April 2009
• Part II: Flame Dancer - July 2009
• Part III: Costs and Consequences - Oct. 2009 (forthcoming)
• Part IV: The Temple of Mau - Jan. 2010 (forthcoming)
• Part V: Healer’s Gift - April 2010 (forthcoming)

Foster effectively chronicles the protagonist’s transition to an alternate plane of existence which appears to parallel a descent into madness, but is in truth a heightened reality.
—Nicole McClain, Tangent

“Only Springtime When She’s Gone” now available at anthologybuilder.com.

(Then check out the”Son the Stain Made” series of the Aberrant Dreams web comic, Slip of the Pen.)

Eugie Foster’s darkly fantastic take on the origins of the vampire . . . This is a wonderful story, the other standout of the issue, along with Page’s Aihai. Foster is meant for great things.
—James Palmer, Tangent

While this tale is grounded in the well-known story of Taira no Masakado, Foster skillfully slips this variation in between the cracks of the historical account and the subsequent legends, warping it in a different direction. The ending of the frame story delivers a strong final twist…RECOMMENDED
—Lois Tilton, The Internet Review of Science Fiction